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The End of Master Narratives vs. Continuity of Art History: On Snyder's Revision of Danto's Notion of the End of Art

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10414895" target="_blank" >RIV/00216208:11210/20:10414895 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    čeština

  • Original language name

    Konec řídících narativů vs. kontinuita dějin umění: Ke Snyderově revizi Dantova pojetí konce umění

  • Original language description

    The idea that art came in a narrative sense to an end pronounced by Arthur C. Danto became a topic in the contemporary debate in aesthetics again a couple of years ago. In my paper, I focus on the last contribution to this discussion, on Stephen Snyder&apos;s book End-of-Art Philosophy in Hegel, Nietzsche &amp; Danto. I aim to scrutinize the new necessary condition for being art introduced by Snyder, which should serve as a correction for Danto&apos;s definition of art as well as a counterargument for his end-of-art thesis. Moreover, Snyder seeks to offer a new narrative of art history in which art did not come to an end. In my paper; I will argue that Snyder misinterprets certain aspects of Danto&apos;s end-of-art thesis, and therefore, his project of creating an alternative narrative of art history fails.

  • Czech name

    Konec řídících narativů vs. kontinuita dějin umění: Ke Snyderově revizi Dantova pojetí konce umění

  • Czech description

    The idea that art came in a narrative sense to an end pronounced by Arthur C. Danto became a topic in the contemporary debate in aesthetics again a couple of years ago. In my paper, I focus on the last contribution to this discussion, on Stephen Snyder&apos;s book End-of-Art Philosophy in Hegel, Nietzsche &amp; Danto. I aim to scrutinize the new necessary condition for being art introduced by Snyder, which should serve as a correction for Danto&apos;s definition of art as well as a counterargument for his end-of-art thesis. Moreover, Snyder seeks to offer a new narrative of art history in which art did not come to an end. In my paper; I will argue that Snyder misinterprets certain aspects of Danto&apos;s end-of-art thesis, and therefore, his project of creating an alternative narrative of art history fails.

Classification

  • Type

    D - Article in proceedings

  • CEP classification

  • OECD FORD branch

    60400 - Arts (arts, history of arts, performing arts, music)

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Article name in the collection

    Otázky a problémy perspektív umenia

  • ISBN

    978-80-555-2313-2

  • ISSN

  • e-ISSN

  • Number of pages

    12

  • Pages from-to

    79-90

  • Publisher name

    Filozofická fakulta Prešovskej univerzity v Prešove

  • Place of publication

    Prešov

  • Event location

    Štrbské Pleso

  • Event date

    May 17, 2019

  • Type of event by nationality

    EUR - Evropská akce

  • UT code for WoS article