All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Beyond the Paradigm of Post-1989 Feminist Art History. Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945-1989)

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F23%3A10470277" target="_blank" >RIV/00216208:11210/23:10470277 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=QCu9yW4duh" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=QCu9yW4duh</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.31338/2657-6015ik.33.2" target="_blank" >10.31338/2657-6015ik.33.2</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Beyond the Paradigm of Post-1989 Feminist Art History. Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945-1989)

  • Original language description

    There have been some attempts in recent years to construct a global history of all-women art initiatives, including those undertaken in Eastern Europe. They have succeeded in - slowly - redrawing a map of all-women art activities, and yet, have revealed numerous limitations of revisionist attempts. In this text, we demonstrate how the specificity of (art) historiography developed in Eastern Europe after the political transformation in 1989, particularly its anti-communist bias, contributed to the erasure of all-women art activities related to socialist states&apos; politics from social memory and feminist art history. In the second part of the text, we develop parallel narratives - on Polish, Czech and Croatian/Yugoslav art scenes, respectively - about how this tendency manifests itself in the research on all-women exhibitions. These observations are a starting point for our histories of all-women exhibitions that include activities of women artists and women organisations so far neglected in post-socialist feminist art historiography.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2023

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Ikonotheka

  • ISSN

    0860-5769

  • e-ISSN

    2657-6015

  • Volume of the periodical

    33

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    PL - POLAND

  • Number of pages

    40

  • Pages from-to

    17-56

  • UT code for WoS article

  • EID of the result in the Scopus database