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Education is not an Island

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F23%3A10494525" target="_blank" >RIV/00216208:11210/23:10494525 - isvavai.cz</a>

  • Alternative codes found

    RIV/00216208:11410/23:10494525

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=5lKYrLVgSd" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=5lKYrLVgSd</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.34639/v5r49730" target="_blank" >10.34639/v5r49730</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Education is not an Island

  • Original language description

    The aim of this paper is to present the process of conception and implementation of the gallery educational programmes accompanying the exhibition of Eva Koťátková, which was presented in CAPC - Musée d&apos;Art Contemporain de Bordeaux and at the National Gallery Prague. In her work, Eva Koťátková combines sculptures, objects, collages, costumes and texts into vast, playful, poetic and colourful installations, to suggest how deeply our personal lives are shaped by our social environment. This approach is materialised by complex pieces of machinery that constrain the body whilst holding possibilities for its transformation. Taking its cue from theatrical devices, a critique of psychiatric ethos, and certain forms of experimental education, Koťátková&apos;s work develops in tight connection with narratives - a narration in fragments, scattered across the exhibition, that make up the image of the world. My Body is not an Island expands and elaborates upon issues that have been present in the artist&apos;s work for many years. This project, specially conceived to be shown in the nave at the CAPC, is shaped like a gigantic body, half-fish, half-human; it both contains and mediates for a myriad of stories, whose entrancing litany will echo throughout the whole exhibition space. The educational concept is created in collaboration between the artist, curators, educators, teachers and students. This paper explores the challenges posed to the institution by collaborating with contemporary artists who themselves perceive and define their exhibitions as inclusive and educational. Through the activation of the spectator&apos;s empathy and imagination, Eva Koťátková offers a space for understanding and tolerance. The main focus of interest lies in the communications didactic transformation of narratives from art to learning. We were concerned with what themes the exhibition can offer to schools and which pedagogical practices of gallery education would suit this purpose.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    50301 - Education, general; including training, pedagogy, didactics [and education systems]

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2023

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Revista Portuguesa de Educaȯ̂ Arts̕tica

  • ISSN

    1647-905X

  • e-ISSN

    2183-7481

  • Volume of the periodical

    13

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    PT - PORTUGAL

  • Number of pages

    17

  • Pages from-to

    107-123

  • UT code for WoS article

  • EID of the result in the Scopus database