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Streaming from a digital periphery: Voyo as an East-Central European response to Netflix

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10486224" target="_blank" >RIV/00216208:11210/24:10486224 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=D8-8GExGqX" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=D8-8GExGqX</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1386/jdmp_00150_1" target="_blank" >10.1386/jdmp_00150_1</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Streaming from a digital periphery: Voyo as an East-Central European response to Netflix

  • Original language description

    Voyo, owned by Central European Media Enterprises (CME) and operating across six national territories, is currently one of the only three prominent transnational SVoD services based in countries of Central and Eastern Europe. Under the new owner PPF, a Czech-based investment group which bought CME from AT&amp;T, Voyo enjoyed unprecedented levels of investment in high-end original content, which resulted in a dynamic growth of subscribers from 2020 onwards, making it the second strongest streamer in Czechia and Slovakia after Netflix. The article labels CME&apos;s digital strategy &apos;deep localism&apos; and approaches it through the recent political-economic debates about the geography of platform economy. Despite its multi-territory corporate structure, CME has isolated each of its national Voyo services in terms of original production, licensing and audience targeting. This shows in the high percentage of local content as well as the virtual absence of its cross-border circulation between the national Voyo catalogues, which have been branded as purely national. The article interprets this compartmentalized strategy of deep localism as both a response to the changes in the global streaming market and an attempt to preserve the traditional linear audiences of CME in the new digital era. The research behind the article is based on interviews with CME executives and on comparative VoD catalogue analysis.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50802 - Media and socio-cultural communication

Result continuities

  • Project

    <a href="/en/project/TQ01000479" target="_blank" >TQ01000479: Support for Export of Audiovisual Content: Means for Measuring, Predicting, and Increasing Cross-border Circulation of Czech Film and Television Works</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Journal of Digital Media &amp; Policy

  • ISSN

    2516-3523

  • e-ISSN

    2516-3531

  • Volume of the periodical

    15

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    21

  • Pages from-to

    237-257

  • UT code for WoS article

    001300273000005

  • EID of the result in the Scopus database

    2-s2.0-85202527297