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Yiddish Songs from Prague

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F25%3A10505172" target="_blank" >RIV/00216208:11210/25:10505172 - isvavai.cz</a>

  • Result on the web

    <a href="http://dx.doi.org/10.1163/9789004730823_010" target="_blank" >http://dx.doi.org/10.1163/9789004730823_010</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1163/9789004730823_010" target="_blank" >10.1163/9789004730823_010</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Yiddish Songs from Prague

  • Original language description

    A relatively extensive collection of 43 songs (or poems) from Prague, mostly written in Yiddish, sometimes in Yiddish and Hebrew, is part of Rabbi David Oppenheim&apos;s collection, which is stored at the Bodleian Library in Oxford. Most of these printed songs date from the second half of the 17th century and the first two decades of the 18th century, but some are a hundred years older. The article suggests that we understand this corpus as a representative sample of local production and attempts to identify who its typical authors were and which song genres were most frequently published. It also points out certain similarities (or analogies) - in terms of themes, genres, and function - between Yiddish religious songs and the contemporary production of devotional Catholic songs in the Czech environment. Similar to Christian songs, Yiddish and Hebrew songs served for religious education and perhaps even as an ideological weapon. In conclusion, based on contemporary testimonies, it recalls the special role and popularity of music, singing, and local authors and foreign performers of synagogue songs in the culturally limited world of Prague&apos;s Jewish town, but also speculates again on the possibility that the higher number of religious Yiddish songs from Prague represented in Oppenheim&apos;s collection could be a remnant of Jewish opposition to contemporary Catholic propaganda. The distinctly Baroque themes and emotionality bring these songs closer to contemporary non-Jewish productions, and the author suggests that, despite all the differences between religions and cultural groups, we should consider similar themes more in terms of shared space, shared experiences, and shared emotionality.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60500 - Other Humanities and the Arts

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Bridges of Knowledge: Jewish Languages in Cultural Context

  • ISBN

    978-90-04-73081-6

  • Number of pages of the result

    23

  • Pages from-to

    189-211

  • Number of pages of the book

    318

  • Publisher name

    Brill

  • Place of publication

    Leiden

  • UT code for WoS chapter