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Psychical Distance as a Basis for Perception and Creative Participation

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F19%3A10396984" target="_blank" >RIV/00216208:11240/19:10396984 - isvavai.cz</a>

  • Result on the web

    <a href="http://10.1163/9781848885325_001" target="_blank" >http://10.1163/9781848885325_001</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Psychical Distance as a Basis for Perception and Creative Participation

  • Original language description

    The central assumption of my thoughts in the following text is the conviction that, despite the numerous critiques, psychic distance remains as a main component of an aesthetic experience. I think, for example, about the disintegration of distance by active participation, which gives spectators the power over the representation of works of art. This false distinction between active participation and distance devalues the whole conception of distance to a passive or neutral norm - a formative process. So my intention is to reinterpret the concept of psychic distance through Gilles Deleuze&apos;s material form of sensation, multiplicity and becoming which are situated in the ontological level of works of art. I aim to verify the thought that Deleuze&apos;s philosophy offers a new way of grasping psychic distance through emphasizing its antinomy which places the paradox in the very centre of perception. This is one of the strategic analogies between Deleuze&apos;s thinking of art works as bodies without organs, continuously entering new alliances and psychic distance.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60301 - Philosophy, History and Philosophy of science and technology

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Inhabiting the Meta Visual: Contemporary Performance Themes

  • ISBN

    978-1-84888-532-5

  • Number of pages of the result

    6

  • Pages from-to

    41-46

  • Number of pages of the book

    183

  • Publisher name

    Brill

  • Place of publication

    Leiden

  • UT code for WoS chapter