Cultural transfers using the example of the production of König Ottokars Glück und Ende by Dušan D. Parízek on the Stage of the Vienna Volkstheater; [Kulturtransfers am Beispiel der Inszenierung von König Ottokars Glück und Ende von Dušan D. Pařízek auf der Bühne des Wiener Volkstheaters]

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3AF58KCAAK" target="_blank" >RIV/00216208:11320/25:F58KCAAK - isvavai.cz</a>
Result on the web
<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85207295498&doi=10.21062%2fab.2024.004&partnerID=40&md5=ca286178b0586a5f6cac7b6ef282f3da" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85207295498&doi=10.21062%2fab.2024.004&partnerID=40&md5=ca286178b0586a5f6cac7b6ef282f3da</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.21062/ab.2024.004" target="_blank" >10.21062/ab.2024.004</a>

Result language
angličtina
Original language name
Cultural transfers using the example of the production of König Ottokars Glück und Ende by Dušan D. Parízek on the Stage of the Vienna Volkstheater; [Kulturtransfers am Beispiel der Inszenierung von König Ottokars Glück und Ende von Dušan D. Pařízek auf der Bühne des Wiener Volkstheaters]
Original language description
This article examines the cultural transfer dynamics in the production of König Ottokars Glück und Ende by Dušan D. Parízek at the Vienna Volkstheater, exploring how the play navigates and integrates multiple cultural and historical contexts. The work investigates how Parízek’s adaptation of a classic text creates a bridge between Czech and Austrian theatrical traditions, illustrating the fluid exchange of ideas and artistic practices in the context of contemporary European theater. The analysis focuses on the artistic, thematic, and socio-political implications of the production, highlighting the intersections of national identity, historical narrative, and theatrical form. By examining the collaborative processes involved in staging the work at the Volkstheater, the article offers insights into the broader phenomenon of cultural transfer in the performing arts, and the ways in which theater functions as a site for negotiation and reinterpretation of cultural boundaries.
Czech name
—
Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
—
OECD FORD branch
10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Publication year
2024
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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