Undoing the National: Representing International Space in 1930s Czechoslovak MLVs

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F04%3A00065847" target="_blank" >RIV/00216224:14210/04:00065847 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Undoing the National: Representing International Space in 1930s Czechoslovak MLVs
Original language description
Between 1928 and 1931 the European and the US film industries tried out different strategies for adapting their sound films to markets in other countries. Regardless of their relative success, these strategies included: part-talkies, remakes of successful silent films, synopses of plot printed on cards and handed out to audiences in movie theatres, live commentators accompanying films, side-titles projected on a separate screen from slides, intertitles, superimposed titles, multiple-language versions, and different methods of dubbing or partial dubbing.' Thanks to a wide range of transformations and hybridizations brought on by the new technology of synchronized sound, the film commodity soon had at its disposal a range of variations unknown to it since its early years and the domain of exhibition gained, once again, a much stronger influence.
Czech name
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Czech description
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Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AJ - Literature, mass media, audio-visual activities
OECD FORD branch
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Project
<a href="/en/project/GP408%2F03%2FD174" target="_blank" >GP408/03/D174: Cultural-historical context of transition to recorded synchronous sound in Czech cinema</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Publication year
2004
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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