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Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F10%3A00050605" target="_blank" >RIV/00216224:14210/10:00050605 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer

  • Original language description

    To understand organizational culture of Prague film production and its changes after the end of the communist regime, the best focus seems to be on film producers and production managers. Film producer as a profession didn?t exist during the socialist era. Instead, semi-autonomous ?production units? worked within state-owned film studios with limited but secure budgets. Within the post-socialist production world of Prague, the profession of producer and production manager had to be created anew, mostlyby capturing knowledge from foreign productions. Foreign incoming producers became key human carriers of tacit, embedded organizational knowledge, which can be externalized during cultural clashes and internalized by direct observation and imitation on the set.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

    <a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2010

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů