Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F10%3A00050605" target="_blank" >RIV/00216224:14210/10:00050605 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Globalization of Film Production: US ?Runaways? in Prague and the Role of Film Producer
Original language description
To understand organizational culture of Prague film production and its changes after the end of the communist regime, the best focus seems to be on film producers and production managers. Film producer as a profession didn?t exist during the socialist era. Instead, semi-autonomous ?production units? worked within state-owned film studios with limited but secure budgets. Within the post-socialist production world of Prague, the profession of producer and production manager had to be created anew, mostlyby capturing knowledge from foreign productions. Foreign incoming producers became key human carriers of tacit, embedded organizational knowledge, which can be externalized during cultural clashes and internalized by direct observation and imitation on the set.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Result continuities
Project
<a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2010
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů