Film Units as (Sub)producers: Possibilities of a ?House Style? in the State-socialist Mode of Production
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066692" target="_blank" >RIV/00216224:14210/13:00066692 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Film Units as (Sub)producers: Possibilities of a ?House Style? in the State-socialist Mode of Production
Original language description
This paper discusses conditions for group-based creativity and style in the state-socialist production system of the former Czechoslovakia. The paper pays particular attention to the manner in which day-to-day creative activities were managed within a system that designated the state the sole official producer, and to organizational solutions which were introduced in an effort to strike a balance between centralized control and creative freedom. I will draw on my previous work on what I call the "State-socialist Mode of Film Production"--which comprises management hierarchies, the division of labor, and work practices--through the example of the Czechoslovak cinema after 1954, when so-called film units were re-established as a part of a general decentralization of the rigid production system of the early 1950s.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Result continuities
Project
<a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2013
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů