The State-Socialist Mode of Production: A Small Film Industry between Berlin, Moscow and Hollywood

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F12%3A00058333" target="_blank" >RIV/00216224:14210/12:00058333 - isvavai.cz</a>
Result on the web
<a href="http://www.google.cz/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&ved=0CC0QFjAA&url=http%3A%2F%2Febha-bhsj-paris.sciencesconf.org%2F6414%2Fdocument&ei=vsALUf2JI4fktQb0koGIDA&usg=AFQjCNF2pVBeh7pFOkBs_gcJRaYfN1prwg&bvm=bv.41867550,d.Yms" target="_blank" >http://www.google.cz/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&ved=0CC0QFjAA&url=http%3A%2F%2Febha-bhsj-paris.sciencesconf.org%2F6414%2Fdocument&ei=vsALUf2JI4fktQb0koGIDA&usg=AFQjCNF2pVBeh7pFOkBs_gcJRaYfN1prwg&bvm=bv.41867550,d.Yms</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
The State-Socialist Mode of Production: A Small Film Industry between Berlin, Moscow and Hollywood
Original language description
The aim of the paper was to articulate a comparative model for historical analysis of nationalized cinemas in the East-Central European region, using the Barrandov studios in Prague as an example. The key question it asked was: how was creativity and day-to-day production of films tactically managed in a system where the only real producer was the state? What organizational instruments had to be developed to balance the centralized control with necessary creative freedom?
Czech name
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Czech description
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Project
<a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Publication year
2012
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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