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Dramaturgy: A Practical Theory of Filmmaking

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F11%3A00050599" target="_blank" >RIV/00216224:14210/11:00050599 - isvavai.cz</a>

  • Result on the web

    <a href="http://www.pdfdownload.org/pdf2html/view_online.php?url=http%3A%2F%2Fddata.over-blog.com%2Fxxxyyy%2F1%2F84%2F11%2F48%2FConfStockholm.pdf" target="_blank" >http://www.pdfdownload.org/pdf2html/view_online.php?url=http%3A%2F%2Fddata.over-blog.com%2Fxxxyyy%2F1%2F84%2F11%2F48%2FConfStockholm.pdf</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Dramaturgy: A Practical Theory of Filmmaking

  • Original language description

    In my paper I look at historical developments of basic production teams under the Communist rule and the ways how political and cultural changes interfered with otherwise resistant production routines and hierarchies via so-called dramaturgy. In the state-controlled system of production, the "dramaturg" was basically an equivalent to "producer", though without the usual financial and marketing responsibilities. Dramaturgy was considered the most efficient way for the official ideology to hold control over selection and execution of film projects. It was taught in film schools and discussed on various levels of the government and Party hierarchies. Dramaturgs and so-called dramaturgical units oversaw script development, selection of cast and crew, the actual shooting as well as post-production, and at some points they were even responsible for promotional materials and festival releases.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

    <a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2011

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů