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Performance Analysis and (Con)Temporary Theatre Praxis ? Some Notes on Czech Specifics

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F14%3A00074249" target="_blank" >RIV/00216224:14210/14:00074249 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Performance Analysis and (Con)Temporary Theatre Praxis ? Some Notes on Czech Specifics

  • Original language description

    We see performance analysis today as an established field, formed in 60ties, stemming especially from theatre semiotics, later being enriched by phenomenological and performative approaches. In Czech context term "performance analysis" is introduced in early 90ties, but of course analytical approach to theatre production/performance appears much earlier. I will try trace its origins back to 60ties (and maybe even further to inter-war period and Prague School theory), with special attention to intertwining of theoretical and practical approach to theatre art, dialogue between artists and theoreticians.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

    <a href="/en/project/GAP409%2F11%2F1082" target="_blank" >GAP409/11/1082: Czech Structuralist Thought on Theatre: context and potency</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2014

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů