Performance Analysis and (Con)Temporary Theatre Praxis ? Some Notes on Czech Specifics
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F14%3A00074249" target="_blank" >RIV/00216224:14210/14:00074249 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Performance Analysis and (Con)Temporary Theatre Praxis ? Some Notes on Czech Specifics
Original language description
We see performance analysis today as an established field, formed in 60ties, stemming especially from theatre semiotics, later being enriched by phenomenological and performative approaches. In Czech context term "performance analysis" is introduced in early 90ties, but of course analytical approach to theatre production/performance appears much earlier. I will try trace its origins back to 60ties (and maybe even further to inter-war period and Prague School theory), with special attention to intertwining of theoretical and practical approach to theatre art, dialogue between artists and theoreticians.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Result continuities
Project
<a href="/en/project/GAP409%2F11%2F1082" target="_blank" >GAP409/11/1082: Czech Structuralist Thought on Theatre: context and potency</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2014
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů