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Introduction and Identification Chains in Ian McEwan's Novels

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00085650" target="_blank" >RIV/00216224:14210/15:00085650 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Introduction and Identification Chains in Ian McEwan's Novels

  • Original language description

    Each story (when perused for the first time) is entirely new to the reader, which means that every character or object that arises for the first time in the text must be introduced. Ian McEwan's manner of introducing the characters in his novels to the readers varies from novel to novel, sometimes from character to character. Three novels - Amsterdam (1998), Atonement (2001) and Sweet Tooth (2012) - were chosen as texts subject to analysis. I will explore mainly the initial points of the introduction and identification chains in the stories as well as what follows them, and take a look at why they may have been used and what may be their effect on the text.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

    AI - Linguistics

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2015

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů