Meaning(s) of Otakar Zich's concept of the 'semantic image'

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00091405" target="_blank" >RIV/00216224:14210/16:00091405 - isvavai.cz</a>

Result on the web

<a href="http://hdl.handle.net/11222.digilib/135857" target="_blank" >http://hdl.handle.net/11222.digilib/135857</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2016-2-6" target="_blank" >10.5817/TY2016-2-6</a>

Result language

angličtina

Original language name

Meaning(s) of Otakar Zich's concept of the 'semantic image'

Original language description

This paper deals with Otakar Zich’s concept of the ‘semantic image’. The author analyses Zich’s aesthetical studies to observe changes in his interpretation of this concept over time. On the basis of the thinking regarding this concept, Zich began to differentiate between semiotic layers of a work of art. So, we can consider him the forerunner of Czech semiotic thinking, with regards to art theory and aesthetics.

Czech name

—

Czech description

—

Type

J_x - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)

CEP classification

AL - Art, architecture, cultural heritage

OECD FORD branch

—

Project

—

Continuities

S - Specificky vyzkum na vysokych skolach

Publication year

2016

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Name of the periodical

Theatralia

ISSN

1803-845X

e-ISSN

—

Volume of the periodical

19

Issue of the periodical within the volume

2

Country of publishing house

CZ - CZECH REPUBLIC

Number of pages

19

Pages from-to

103-121

UT code for WoS article

—

EID of the result in the Scopus database

—