How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00092753" target="_blank" >RIV/00216224:14210/16:00092753 - isvavai.cz</a>
Result on the web
<a href="https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php" target="_blank" >https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php</a>
DOI - Digital Object Identifier
—

Result language
angličtina
Original language name
How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements
Original language description
The integration of ethnic music into the film score is a great challenge for every composer of film music, which is conditioned by thorough knowledge of historical circumstances connected with the place and time given by the film. From the compositional point of view there are several ways how to integrate the ethnic music into the film score. The most authentic reproduction of music typical for specific place or time with the use of adequate instruments is most often used in diegetic form. On the other hand, non-diegetic musical parts enable the composer to be more creative thanks to the use of ethnic elements freely integrated into music components, e.g. harmony, melody, rhythmical stylization or the choice of a typical instrument. The core of my speech is the music analysis of the ethnic elements and how they are used in the film Yentl (1983). The director, producer as well as the main star of this film is Barbra Streisand, who had invited a French composer Michel Legrand to compose musical score.
Czech name
—
Czech description
—

Publication year
2016
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Similar results(10)