The Movement and the Experience of "Iconic Presence" : An Introduction

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00109573" target="_blank" >RIV/00216224:14210/19:00109573 - isvavai.cz</a>
Result on the web
<a href="http://dx.doi.org/10.1484/J.CONVI.4.2019021" target="_blank" >http://dx.doi.org/10.1484/J.CONVI.4.2019021</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1484/J.CONVI.4.2019021" target="_blank" >10.1484/J.CONVI.4.2019021</a>

Result language
angličtina
Original language name
The Movement and the Experience of "Iconic Presence" : An Introduction
Original language description
Although the notion of “iconic presence” had previously appeared in several various fields, in Medieval Art History, it started to be discussed mainly after the publication in 1990 of Bild und Kult, and further developed in Bildantropologie . Consequently, it became a quite widely diffused concept. The notion of “iconic presence” was re-discussed in 2016, introducing its explicit definition: “Iconic presence is presence in and as a picture. The physical presence of a picture in our world refers to the symbolic presence which it depicts” . The image is in this sense understood as a threshold between the tangible and imaginary world.
Czech name
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Czech description
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Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
60401 - Arts, Art history

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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