Theatre and Popular Culture in the English Restoration and Eighteenth Century
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00119143" target="_blank" >RIV/00216224:14210/21:00119143 - isvavai.cz</a>
Result on the web
<a href="https://digilib.phil.muni.cz/handle/11222.digilib/143979" target="_blank" >https://digilib.phil.muni.cz/handle/11222.digilib/143979</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Theatre and Popular Culture in the English Restoration and Eighteenth Century
Original language description
The special issue of the Theory and Practice in English Studies journal entitled “Theatre and Popular Culture in the English Restoration and Eighteenth Century” explores the connections between the English Restoration and eighteenth-century theatre and popular culture. Since the early Restoration until the mid-eighteenth century, English theatre culture witnessed a marked shift towards increased commercialization and popularization of theatre, which had great impact on its repertoire, promotion, reception as well as social and political significance. Five research articles address these issues from various angles. The issue offers papers on William Davenant’s Macbeth and the rise of the Restoration actress as a modern celebrity; Restoration prologues and epilogues which testify to the obsolete myth of the “elite” conception of Restoration drama; the interrelatedness of Bocaccio’s Decameron and an English eighteenth-century afterpiece; the dramatization of popular criminal narrative about Jack Sheppard; and a new sentimental interpretation of Juliet in David Garrick’s 1748 production Romeo and Juliet. The issue also contains an academic note on Susanna Centlivre’s The Busybody, an interview with dance historian Moira Goff about London stage dancing, a review of 2021 Red Bull Theatre (NY) production of Hannah Cowley’s The Belle’s Stratagem, a book review on Music and the Benefit Performance in Eighteenth-Century Britain (2020), and a conference report on the second online Restoration symposium from April 2021.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
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OECD FORD branch
60206 - Specific literatures
Result continuities
Project
<a href="/en/project/GA19-07494S" target="_blank" >GA19-07494S: English Theatre Culture 1660-1737</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2021
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů