All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00119576" target="_blank" >RIV/00216224:14210/21:00119576 - isvavai.cz</a>

  • Result on the web

    <a href="https://digilib.phil.muni.cz/handle/11222.digilib/143816" target="_blank" >https://digilib.phil.muni.cz/handle/11222.digilib/143816</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5817/TY2021-1-7" target="_blank" >10.5817/TY2021-1-7</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

  • Original language description

    Nahum Tate's Restoration version of King Lear (1680 or 1681) managed to replace Shakespeare's original on English stages for more than a century and a half. While the efforts of David Garick and George Colman to reinstate Shakespeare's plot and language in English theatres in the latter half of the eighteenth century have been acknowledged, little has been said in this respect about the late eighteenth-century actor and theatre manager John Philip Kemble and his version of the play that premiered in 1792. The present article will try to propose the possible motivation of Kemble's step to discard Garrick's popular alteration and will also argue that the decision to erase Garrick's restorations and recur essentially to Tate's outmoded version of the play at the end of the eighteenth century was probably one of the factors that helped to restore Shakespeare's original in English theatres when King Lear was revived in the 1820s after a decade-long hiatus.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60206 - Specific literatures

Result continuities

  • Project

    <a href="/en/project/GA19-07494S" target="_blank" >GA19-07494S: English Theatre Culture 1660-1737</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Theatralia

  • ISSN

    1803-845X

  • e-ISSN

    2336-4548

  • Volume of the periodical

    24

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    9

  • Pages from-to

    92-100

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85106920033