All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

(Not) Beyond the Shoe : Shakespeare and Theatre Rivalries in the Augustan Period

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00134370" target="_blank" >RIV/00216224:14210/23:00134370 - isvavai.cz</a>

  • Result on the web

    <a href="https://dokumenty.osu.cz/ff/journals/ostravajournal/15-2/OJoEP_23_2_Krajnik-Hrdinova.pdf" target="_blank" >https://dokumenty.osu.cz/ff/journals/ostravajournal/15-2/OJoEP_23_2_Krajnik-Hrdinova.pdf</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.15452/OJoEP.2023.15.0011" target="_blank" >10.15452/OJoEP.2023.15.0011</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    (Not) Beyond the Shoe : Shakespeare and Theatre Rivalries in the Augustan Period

  • Original language description

    Although the high cultural status of Shakespeare was well established in England by the 1760s, the preceding stage history of his plays and the related adaptations are culturally much more ambiguous. This paper focuses on two adaptations of The Taming of the Shrew that were produced in 1716 in London as two short farces, both entitled The Cobler of Preston and written by Charles Johnson and Christopher Bullock respectively. By taking into account the cultural and political circumstances of the period, the analysis of the two farces demonstrates that the establishment of farcical afterpieces, as one of the most popular and productive genres of early-18th-century English theatre, was greatly accelerated by the staging of the two Shakespearean adaptations. This further demonstrates that, at the same time as Shakespeare’s authority was gradually rising, adaptations of his plays actually contributed to the development of London commercial theatre culture, which was often presented as Shakespeare’s cultural opposite.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60206 - Specific literatures

Result continuities

  • Project

    <a href="/en/project/GA19-07494S" target="_blank" >GA19-07494S: English Theatre Culture 1660-1737</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2023

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Ostrava Journal of English Philology

  • ISSN

    1803-8174

  • e-ISSN

    2571-0257

  • Volume of the periodical

    15

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    17

  • Pages from-to

    31-47

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85183872960