More than Backpacks and Swims: British Nature Writing and the Consolatory Role of Nature
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216275%3A25210%2F25%3A39923447" target="_blank" >RIV/00216275:25210/25:39923447 - isvavai.cz</a>
Result on the web
<a href="https://brill.com/display/book/9789004744110/BP000015.xml?body=pdf-133841" target="_blank" >https://brill.com/display/book/9789004744110/BP000015.xml?body=pdf-133841</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1163/9789004744110_009" target="_blank" >10.1163/9789004744110_009</a>
Alternative languages
Result language
angličtina
Original language name
More than Backpacks and Swims: British Nature Writing and the Consolatory Role of Nature
Original language description
The chapter focuses on the genre of nature writing and its response to the changing notion of the environment. The two chosen texts, Roger Deakin’s Waterlog (1999) and Hugh Thomson’s The Green Road into the Trees (2012), show multiple ways in which the environment plays a consolatory role, predominantly by allowing a more accurate and up-to-date identity definition. Rather than focusing on a subject-centred and uninvolved scientific depiction of the environment, these works show personal engagement and suggest possible strategies of reconnecting and enjoying the transcendental dimension of the interface between the human and the natural. In its initial part, the article argues that the contemporary approach to the environment must change to facilitate such a reconciliation, and new nature writing, as a genre devoted to the interface between the human and the natural, thus changes accordingly. Without shedding its Romantic heritage completely, the analyzed works deepen the genre’s insight into, for example, the political dimension of human relationship to the environment. Deakin and Thomson discuss the contrast between the ownership and stewardship of nature, the issue of conservation and its meaningfulness. In the section dealing with immersion and embeddedness, the analysis stresses the importance of experiential knowledge − the experience of physical immersion opens new cultural layers of the environment for both writers, activating their awareness of several collective and individual identities. The final part of the discussion highlights how the writers go beyond the purely conscious awareness of the self and explore the possibilities of transcendental reconnections. The chapter thus combines an analysis of the genre’s new scope with an application of critical insights to a classic text of new nature writing (Deakin) and a text that has not yet received substantial critical attention (Thomson).
Czech name
—
Czech description
—
Classification
Type
C - Chapter in a specialist book
CEP classification
—
OECD FORD branch
60206 - Specific literatures
Result continuities
Project
—
Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2025
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
Consolations of Nature
ISBN
978-90-04-74410-3
Number of pages of the result
16
Pages from-to
128-143
Number of pages of the book
231
Publisher name
Brill
Place of publication
Leiden
UT code for WoS chapter
—