Plagiarism in Typee: A Peep at Herman Melville?s Lifting from Travel Narratives

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60076658%3A12410%2F17%3A43895508" target="_blank" >RIV/60076658:12410/17:43895508 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Plagiarism in Typee: A Peep at Herman Melville?s Lifting from Travel Narratives
Original language description
Regarded by critics as one of Philip Roth?s comic and salacious masterpieces, Sabbath?s Theater incorporates a fascinatingly large amount of intertextual responses to William Shakespeare?s sublime tragedy King Lear. From Gloucester?s opening account of enjoying the creation of his bastard son in the opening of Act I to King Lear?s proclamation to ?Let Copulation Thrive? in Act IV scene 6, Roth draws on Shakespeare?s tragedy to present his own modern version of extramarital love-affairs, betrayal, madness, suicide, and acknowledgments of mistakes and regrets. Both heroes are observed to be quite mad yet many sympathized with their situation even though it was in both cases their own doing, for Lear?s and Sabbath?s madness are comprehensible due to their respective losses. This contribution will try to argue that Mickey Sabbath played the role of King Lear not merely off-Broadway in the 1950s, but later in his life in a modern version of the legendary King of Britain.
Czech name
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Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
60204 - General literature studies

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2017
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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