Film Montage and the Principle of Montage in Non-Cinematic Media, A Case Study: The Early Collages of Jiří Kolář

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F19%3AN0000012" target="_blank" >RIV/60461446:52810/19:N0000012 - isvavai.cz</a>
Result on the web
<a href="https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956" target="_blank" >https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Film Montage and the Principle of Montage in Non-Cinematic Media, A Case Study: The Early Collages of Jiří Kolář
Original language description
This essays considers the relationship between non-cinematic works of art whose structure appears to apply principles of film montage. Examples of this are collages of Jiří Kolář from the late 1940s and early 1950s, in which he created pictorial sequences using cuttings from illustrated magazines. Montage is not a technique pursued only in the film industry; it is also associated with other methonds of cultural production and its theoretical reflection. In attempting to describe and interpret Kolář's work, a direct connection with film cannot be proved. Rather than by cinematic methods and theories, Kolář was influenced by popular culture, in particular the layouts of illustrated magazines, and then, only secondarily, by the methods of film composition that had penetrated those magazines.
Czech name
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Czech description
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Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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