Stanislavski in Dialogical Acting with the Inner Partner – In the Neighbourhood with Brecht

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F18%3AN0000045" target="_blank" >RIV/61384984:51210/18:N0000045 - isvavai.cz</a>
Result on the web
<a href="https://www.tandfonline.com/doi/full/10.1080/20567790.2018.1439674" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/20567790.2018.1439674</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/20567790.2018.1439674" target="_blank" >10.1080/20567790.2018.1439674</a>

Result language
angličtina
Original language name
Stanislavski in Dialogical Acting with the Inner Partner – In the Neighbourhood with Brecht
Original language description
The study introduces a discipline, Dialogical Acting with the Inner Partner, which explores a double existence of an actor in the role and the ability of identifying with the role or distancing from it. The principle of identifying corresponds with Stanislavski’s concept of acting of experiencing and the truthful presence on the stage. The principle of distancing is based on anti-illusionist principles of Brechtian and Russian avant-garde theatre. The integration of these antithetic principles is enabled by the actor’s inner partner (inner spectator) which is understood as an integral component of a triadic concept, author–actor–spectator. The discipline was founded by Czech alternative actor, writer and pedagogue Ivan Vyskočil.
Czech name
—
Czech description
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Type
J<sub>ost</sub> - Miscellaneous article in a specialist periodical
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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