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Acousmatic Foley: Staging sound-fiction

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F16%3AN0000103" target="_blank" >RIV/61384984:51310/16:N0000103 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.cambridge.org/core/journals/organised-sound/article/acousmatic-foley-staging-soundfiction/8BCD41F1F26E96C9BC8B12722EF2478B" target="_blank" >https://www.cambridge.org/core/journals/organised-sound/article/acousmatic-foley-staging-soundfiction/8BCD41F1F26E96C9BC8B12722EF2478B</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1017/S1355771816000212" target="_blank" >10.1017/S1355771816000212</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Acousmatic Foley: Staging sound-fiction

  • Original language description

    This article proposes a narrative theory thought in terms that are specific to sound practice. It addresses two different fields – Acousmatic Music and Foley Art – as a possibility of understanding sound narration and conceptualising it around the idea of fiction. To this end, it begins from the concepts of sound-motif, sound-prop and sound-actors, in order to propose a dramaturgic practice specific to sound terms. The theory of sound dramaturgy acquires a practical outline by making use of multichannel constellations as a composition strategy, with specific loudspeaker arrangements. The theory advocates loudspeakers as the mediators of the experience and the stage as part of the audience’s assembly. This translates into a practice of staging sound fiction, which focuses on formulating a conjecture based on formal and factual structures, allowing for a direct relationship between the listener and the listening, between the sounds and their fictional location.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60500 - Other Humanities and the Arts

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2016

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Organised Sound

  • ISSN

    1355-7718

  • e-ISSN

    1469-8153

  • Volume of the periodical

    21

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    7

  • Pages from-to

    242-248

  • UT code for WoS article

  • EID of the result in the Scopus database