ACOUSMATIC FOLEY: SON-EN-SCÈNE
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F22%3AN0000022" target="_blank" >RIV/61384984:51310/22:N0000022 - isvavai.cz</a>
Alternative codes found
RIV/61384984:51310/23:N0000052
Result on the web
<a href="https://revistas.ulusofona.pt/index.php/ijfma/article/view/8149" target="_blank" >https://revistas.ulusofona.pt/index.php/ijfma/article/view/8149</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.24140/ijfma.v7.n2.07" target="_blank" >10.24140/ijfma.v7.n2.07</a>
Alternative languages
Result language
angličtina
Original language name
ACOUSMATIC FOLEY: SON-EN-SCÈNE
Original language description
“Acousmatic Foley” is practice-based research on sound dramaturgy stemming from musique concrète and Foley Art. This article sets out a theory based on the concept of “son-en-scène”, which forms the sonic content of the mise-en-scène, as perceived (esthesic sound). The theory departs from the well-known features of a soundscape (R. M. Schafer, 1999) and the listening modes in film as asserted by Chion (1994), in order to arrive at three main concepts: sound-prop, sound-actor and sound-motif. Throughout their conceptualization, the study theorizes a sonic dramaturgy that focuses on the sounds themselves and their practical influence on film’s story-telling strategies. For that, it conveys an assessment of sound in film-history based on the “montage of attractions” and foley art, together with the principles of acousmatic listening. In line with Kulezic-Wilson’s proposal on an “integrated soundtrack”, this research concludes that film-sound should be to sound designers what a “sonorous object” is to musique concrète, albeit conveying all of sound’s fictional aspects.
Czech name
—
Czech description
—
Classification
Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
—
OECD FORD branch
60405 - Studies on Film, Radio and Television
Result continuities
Project
—
Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2022
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
International Journal of Film and Media Arts
ISSN
2183-9271
e-ISSN
—
Volume of the periodical
7
Issue of the periodical within the volume
2
Country of publishing house
PT - PORTUGAL
Number of pages
24
Pages from-to
125-148
UT code for WoS article
—
EID of the result in the Scopus database
2-s2.0-85144147787