The Sound of Saute ma ville

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F19%3AN0000134" target="_blank" >RIV/61384984:51310/19:N0000134 - isvavai.cz</a>
Result on the web
<a href="http://www.iluminace.cz/index.php/cz/article?id=227" target="_blank" >http://www.iluminace.cz/index.php/cz/article?id=227</a>
DOI - Digital Object Identifier
—

Result language
angličtina
Original language name
The Sound of Saute ma ville
Original language description
Saute ma ville (1968) is the first lm by Chantal Akerman (1950–2015). Her portfolio includes conventional and experimental approaches, both in fiction and documentary, essays, visual portraits. Every film is a new attempt, searching for an approach that altogether still remains as her individual aesthetics. In this film, most of Akerman’s attitude is already shaped: the simplicity, the intentional nativity that distracts the audience for what is to come, the feeling of verité, as much as the feeling of "nothing happens" so characteristic of hers. Under the scrutiny of Acousmatic Foley’s concepts ("sound-prop", "sound-actor" and "sound-motif"), this paper proposes a closer look at the author’s soundtrack: listening to each choice of the design as intentional and purposeful. If initially the soundtrack seems baffling, matching a general defective period of sound in film history, it is also in the front line of what sound design should be: a storyteller.
Czech name
—
Czech description
—

Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
—
OECD FORD branch
60405 - Studies on Film, Radio and Television

Project
—
Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Similar results(10)