All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Sola Superbia Destruit Omnia: The Female Monster in Liber Depictus as a Polysemantic Image of the Spiritual Malformation and the Fallen World

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17250%2F22%3AA2302FSN" target="_blank" >RIV/61988987:17250/22:A2302FSN - isvavai.cz</a>

  • Result on the web

    <a href="https://www.archaeopress.com/Archaeopress/download/9781803273242" target="_blank" >https://www.archaeopress.com/Archaeopress/download/9781803273242</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.32028/9781803273242" target="_blank" >10.32028/9781803273242</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Sola Superbia Destruit Omnia: The Female Monster in Liber Depictus as a Polysemantic Image of the Spiritual Malformation and the Fallen World

  • Original language description

    Liber depictus (cod. 370, Österreichische Nationalbibliothek) is the mid-14th century pen-draw illustrated manuscript of Bohemian origin commissioned by the Rosenberg family for the Friar Minor and Poor Clares double monastery in Český Krumlov. The verso of folio 155 bares a unique so-called Frau Welt image in form of female monster with grotesque, deformed body symbolizing the spiritual and moral deformity; personifying the Seven Deadly Sins. The monster is depicted as a woman with animal features, following the iconographic tradition of associating the individual sins with animal body parts. Uniquely the image also reflects peccatum linguae, the sin of tongue described as the eighth sin by William Peraldus in his Summa de vitiis. The polysemantic image is analysed from multiple aspects: Visual – as the animal-like monster inspired by wider iconographic medieval tradition; Religious – as the antipode of cloistered; Moral – as the personification of eight sins; Hermetic – in the context of period alchemy ideas and tracts; Gender – as the example of visual distortion and manipulation with feminity and female body leading to monstrous forms.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2022

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    (Trans)missions Monasteries as Sites of Cultural Transfers

  • ISBN

    978-1-80327-324-2

  • Number of pages of the result

    19

  • Pages from-to

    1-19

  • Number of pages of the book

    188

  • Publisher name

    Archaeopress

  • Place of publication

    Oxford

  • UT code for WoS chapter