Melancholy in the Music of John Dowland and Benjamin Britten

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F16%3AA1701HGB" target="_blank" >RIV/61988987:17450/16:A1701HGB - isvavai.cz</a>

Result on the web

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DOI - Digital Object Identifier

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Result language

angličtina

Original language name

Melancholy in the Music of John Dowland and Benjamin Britten

Original language description

The study addresses melancholy as an aesthetic expression category and mood, the substance of which is thoughtfulness. The aim is to point out specific means of musical expression that can be found in pieces with melancholic connotation. The subject matter of the analytical study is the ayre Come, Heavy Sleep by John Dowland and the subsequent reflection of Benjamin Britten in his piece Nocturnal after John Dowland for guitar. The analysis resulted in an analogy between the textual and musical element of Dowland?s piece, identification of musical symbolism. As for Britten, we are witnesses of the unique application of the form of reversed variations and musical metamorphosis of the phenomenology of sleep as the symbol of death.

Czech name

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Czech description

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Type

J_x - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)

CEP classification

AL - Art, architecture, cultural heritage

OECD FORD branch

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Project

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Continuities

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Publication year

2016

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Name of the periodical

Hudba - Integrácie - Interpretácie

ISSN

1338-4872

e-ISSN

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Volume of the periodical

19

Issue of the periodical within the volume

1

Country of publishing house

SK - SLOVAKIA

Number of pages

22

Pages from-to

59-80

UT code for WoS article

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EID of the result in the Scopus database

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