Repetition as a principle of mythological thinking and music of the twentieth century

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F17%3AA1801S0N" target="_blank" >RIV/61988987:17450/17:A1801S0N - isvavai.cz</a>
Result on the web
<a href="http://dx.doi.org/10.5817/MB2017-2-14" target="_blank" >http://dx.doi.org/10.5817/MB2017-2-14</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/MB2017-2-14" target="_blank" >10.5817/MB2017-2-14</a>

Result language
angličtina
Original language name
Repetition as a principle of mythological thinking and music of the twentieth century
Original language description
Art of the 20th century is characterized by the rise of the mythical thought and transformation of the myth into an artistic creativity. In music we can encounter manifestations of conscious and unconscious neo-mythologism in various forms. The methodological foundations of our text are concepts by Claude Lévi-Strauss, Carl Gustav Jung, Gilles Deleuze or Victoria Adamen-ko. The text focuses on the basic identification of the repetition as a mythological sign and its manifestation in the music of the 20th century (Arnold Schoenberg, George Crumb, minimal music etc.). Constitutive principle of repetition in music is connected with categories such as musical space and time, contrast, difference, musical thought.
Czech name
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Czech description
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Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Publication year
2017
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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