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Sound in Literary Texts

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F19%3AA20020YE" target="_blank" >RIV/61988987:17450/19:A20020YE - isvavai.cz</a>

  • Result on the web

    <a href="https://rdcu.be/bRyJC" target="_blank" >https://rdcu.be/bRyJC</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1007/s11061-019-09623-8" target="_blank" >10.1007/s11061-019-09623-8</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Sound in Literary Texts

  • Original language description

    This article defines the concept of auditivity in literary texts, both in the narrower sense of the term (the physically audible properties of a text) and in its wider sense (the potential ability of a text to create an auditive image in the mind of the recipi-ent, thus conveying information in an aesthetic form, or contributing to this process). The article also investigates the possibilities of an intermedia typology of auditiv-ity incorporating music and literature. This idea is built on the fact that both litera-ture and music work with sound; they thus function as art forms which are close to their base material(Novák 2005: 26–34). I draw on a typology of literary/musical intermediality developed by Wolf (2011: 62–85), and I reach the conclusion that auditivity is a complex and complicated intermedia phenomenon which incorporates several intermedia types. The most explicit manifestation of the auditive properties of a text is on the level of structural plurimediality (sound poetry). Sound is also manifested implicitly in literary texts via intermedia imitations of acoustic structures (intermedia references in the form of imitations), which are very frequently accom-panied by intermedia thematization. Auditivity in the process of literary commu-nication has been investigated in the phases of auditivization (the deliberate crea-tion of auditory properties in a literary work), reproduction and reception of literary texts. It has been determined that writers not only use traditional elements of poetic phonetics and phonology, but also engage in pure sonic experimentation. I reach the conclusion that the process of auditory emancipation of language is directly propor-tional to the loss of semantic properties by a text; literature thus comes close to the universality of musical communication.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60204 - General literature studies

Result continuities

  • Project

  • Continuities

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Neophilologus

  • ISSN

    0028-2677

  • e-ISSN

    1572-8668

  • Volume of the periodical

    103

  • Issue of the periodical within the volume

    4

  • Country of publishing house

    NL - THE KINGDOM OF THE NETHERLANDS

  • Number of pages

    13

  • Pages from-to

    1-13

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85074026532