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The Legacy of the Vortex: Popular Music as Counter-environment

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F10%3A10218368" target="_blank" >RIV/61989592:15210/10:10218368 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Legacy of the Vortex: Popular Music as Counter-environment

  • Original language description

    The article presents a couple of mcluhanesque reflections on popular music focusing primarily on the question whether popular music can work as a counter-environment. It begins by outlining Marshall McLuhan's media theory and by discussing its roots in Ezra Pound's ideogrammic and vorticist method. The article then examines the relationship between music and myth, drawing mainly on Lévi-Strauss' thoughts. The greatest attention is paid to exploring the media environment of Bob Dylan's songs which seem to present the most elaborate counter-environment of contemporary popular music.

  • Czech name

  • Czech description

Classification

  • Type

    D - Article in proceedings

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    Z - Vyzkumny zamer (s odkazem do CEZ)

Others

  • Publication year

    2010

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Article name in the collection

    America in Motion

  • ISBN

    978-80-244-2458-3

  • ISSN

  • e-ISSN

  • Number of pages

    13

  • Pages from-to

  • Publisher name

    Univerzita Palackého

  • Place of publication

    Olomouc

  • Event location

    Olomouc

  • Event date

    Sep 7, 2008

  • Type of event by nationality

    WRD - Celosvětová akce

  • UT code for WoS article