Orlandini’s Antigona (vendicata): Transformation of a Venetian Opera on its Transalpine Journey

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73589380" target="_blank" >RIV/61989592:15210/18:73589380 - isvavai.cz</a>
Result on the web
<a href="http://www.phil.muni.cz/journals/index.php/musicologica-brunensia" target="_blank" >http://www.phil.muni.cz/journals/index.php/musicologica-brunensia</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/MB2018-S-15" target="_blank" >10.5817/MB2018-S-15</a>

Result language
angličtina
Original language name
Orlandini’s Antigona (vendicata): Transformation of a Venetian Opera on its Transalpine Journey
Original language description
The study focuses on the reception of the opera Antigona by Giuseppe Maria Orlandini from its premiere in Venice in 1718 to the productions in Breslau 1728 and Brno 1736. On the basis of newly discovered unique sources (a libretto from 1728 in the Moravian Museum Brno, the score in the Czech Museum of Music Prague, the score of the premiere version in the library of San Francisco State University, reviews in the contemporary press) changes which the work underwent on its way across Europe are presented, and the problem of the aesthetic categories of the pasticcio, in the context of Transalpine production of Italian opera seria, is restored.
Czech name
—
Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Project
<a href="/en/project/GA16-17615S" target="_blank" >GA16-17615S: Music Inventories of the Early Modern Period in the Czech Lands</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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