Absolute Art as Guise?
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73589744" target="_blank" >RIV/61989592:15210/18:73589744 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Absolute Art as Guise?
Original language description
In the late 19th century, a new absolute understanding of art emerged: art for art’s sake. In this absolute understanding of art, art was seen as an autonomous autoreferential phenomenon transcending all other human cultural production. This view was represented by Herwarth Walden and his art gallery and magazine Der Sturm. During the First World War, Walden organised several exhibitions as part of the German war propaganda. This paper shows, how an understanding of art as an absolutely autonomous phenomenon could go hand in hand with heteronomous war propaganda.
Czech name
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Czech description
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Classification
Type
C - Chapter in a specialist book
CEP classification
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OECD FORD branch
60401 - Arts, Art history
Result continuities
Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
Metamorphoses of the Absolute
ISBN
978-1-5275-1320-4
Number of pages of the result
24
Pages from-to
257-280
Number of pages of the book
339
Publisher name
Cambridge Scholars Publishing
Place of publication
Newcastle upon Tyne
UT code for WoS chapter
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