All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

History of Popular Music Research in the Czech Lands and Hungary: Contexts, Parallels, Interrelations (1918–1998)

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73614280" target="_blank" >RIV/61989592:15210/22:73614280 - isvavai.cz</a>

  • Result on the web

    <a href="https://kramerius.lib.cas.cz/periodical/uuid:3de29ad8-c9a8-4cb5-9d81-315fbd338759" target="_blank" >https://kramerius.lib.cas.cz/periodical/uuid:3de29ad8-c9a8-4cb5-9d81-315fbd338759</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.54759/MUSICOLOGY-2022-0201" target="_blank" >10.54759/MUSICOLOGY-2022-0201</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    History of Popular Music Research in the Czech Lands and Hungary: Contexts, Parallels, Interrelations (1918–1998)

  • Original language description

    Popular music scholars generally agree that the popular music studies discipline emerged between the mid-1970s and the early 1980s in Western Europe and North America, mainly on the initiative of young sociologists, and that it focuses primarily on modern pop-rock music. Many academics from the former Eastern bloc countries share this narrative. Consequently, the history of popular music’s systematic exploration in this region remains largely unknown. Recent years, however, have witnessed growing interest in the history of popular music research in East-Central Europe, as shown by a few (Czech, Slovakian, Polish, and Hungarian) texts, albeit focusing exclusively on localissues. The present study is the first to deal with the history of popular music research between 1918 and 1998 in a wider Central European context, and the Czech lands and Hungary in particular. It provides a detailed analysis of an extensive collection of Czech and Hungarian sources (archival materials and published texts of both an academic and non-academic nature – monographs, individual studies, articles in popular music magazines, and so on). It aims to show the specifics of theoretical reflection on popular music in both statesand the manner and extent of the contacts between the respective scholarly communities in light of developments in popular music and cultural policy.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

    <a href="/en/project/GA21-16304S" target="_blank" >GA21-16304S: The development of popular music investigation in the Czech Lands in the context of Central European culture and politics since 1945</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2022

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    HUDEBNI VEDA

  • ISSN

    0018-7003

  • e-ISSN

  • Volume of the periodical

    59

  • Issue of the periodical within the volume

    2-3

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    65

  • Pages from-to

    149-213

  • UT code for WoS article

    000900642900002

  • EID of the result in the Scopus database

    2-s2.0-85138407412