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Toward Affective Realism: Performing the Reverse Side of the Face

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73616297" target="_blank" >RIV/61989592:15210/22:73616297 - isvavai.cz</a>

  • Result on the web

    <a href="https://benjamins.com/catalog/chlel.xxxiii.13jir" target="_blank" >https://benjamins.com/catalog/chlel.xxxiii.13jir</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1075/chlel.xxxiii.13jir" target="_blank" >10.1075/chlel.xxxiii.13jir</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Toward Affective Realism: Performing the Reverse Side of the Face

  • Original language description

    Proposing a concept of affective realism that shifts from representation of outer reality and inner states to the formal work of affects by which an experience of the real is structured, this essay examines both the historical and aesthetic experience of disfiguration from the second decade of the twentieth century. Based on the war experiences of the survivors of World War I who suffered extensive facial injuries, as rendered by the novel Au ciel de Verdun (1918) by Bernard Lafont and the war memoirs Hommes sans visage (1942) of the Swiss front nurse Henriette Rémi, while reading the faceless images in two modernist texts, The Notebooks of Malte Laurids Brigge (1910) by Rainer Maria Rilke and the short story “The Erased Face” (1919) by Richard Weiner, I argue that rather than simply represented the hardly thinkable disfiguration is affectively performed. Not only do the witness accounts from the battlefront and literary fiction share an emotional force of the traumatic images but they also enable affects of shock, disgust, and fascination to structure their discursive forms. Consequently, the aesthetic force of affective realism lies in literature’s capacity to trigger a potential experience while pushing the realist representation toward its limits.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60204 - General literature studies

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2022

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Landscapes of Realism: Rethinking Literary Realism in Comparative Perspectives. Volume II: Pathways Through Realism

  • ISBN

    978-90-272-1085-2

  • Number of pages of the result

    14

  • Pages from-to

    337-350

  • Number of pages of the book

    780

  • Publisher name

    John Benjamins Publishing Company

  • Place of publication

    Amsterdam

  • UT code for WoS chapter