All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Affective Disfigurations: Faceless Encounters between Literary Modernism and the Great War

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73592659" target="_blank" >RIV/61989592:15210/19:73592659 - isvavai.cz</a>

  • Result on the web

    <a href="http://dx.doi.org/10.1163/9789004397712_008" target="_blank" >http://dx.doi.org/10.1163/9789004397712_008</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1163/9789004397712_008" target="_blank" >10.1163/9789004397712_008</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Affective Disfigurations: Faceless Encounters between Literary Modernism and the Great War

  • Original language description

    What happens when a human face begins to lose its familiar form, falls apart, becomes an uncanny, formless object? And how can language mediate such a brutal experience? Shifting from an affective ontology of the face towards the affective operations of the faceless, this essay examines, through both historical and aesthetic experiences, several encounters between subjects and disfigured faces that took place during the second decade of the twentieth century. Drawing on the war experiences of the gueules cassées—the term given to the survivors of World War I who suffered extensive facial injuries—and several modernist texts by Rainer Maria Rilke, Gaston Leroux and Richard Weiner, I argue that far from merely provoking horror, shock, disgust or fascination, the faceless image operates both in literature and the visual arts as a figure, embracing on the one hand the aesthetics of the ‘formless’ and on the other the traumatizing experience of war. Placing the relational and formalist approaches to affect in dialogue with each other, the formless is explored as an affective operation based on the generative deformation of forms, triggering latent experiences in all those who encounter it.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60204 - General literature studies

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    How to Do Things with Affects: Affective Triggers in Aesthetic Forms and Cultural Practices

  • ISBN

    978-90-04-39769-9

  • Number of pages of the result

    22

  • Pages from-to

    121-142

  • Number of pages of the book

    279

  • Publisher name

    Brill Academic Publishers

  • Place of publication

    Leiden

  • UT code for WoS chapter