All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Breaking Blackface: African Americans, Stereotypes, and Country Music

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73620182" target="_blank" >RIV/61989592:15210/23:73620182 - isvavai.cz</a>

  • Result on the web

    <a href="https://openbooks.ffzg.unizg.hr/index.php/FFpress/catalog/view/162/269/11766" target="_blank" >https://openbooks.ffzg.unizg.hr/index.php/FFpress/catalog/view/162/269/11766</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.17234/9789533791258.08" target="_blank" >10.17234/9789533791258.08</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Breaking Blackface: African Americans, Stereotypes, and Country Music

  • Original language description

    Country is without a doubt the whitest American genre of music, and the banjo is the most quintessential instrument used in it. Both the musical style and the instrument, however, have their roots in African-American culture. It is widely believed that the blackface minstrel tradition in the nineteenth century not only appropriated and ridiculed African Americans but also eventually alienated them from their own music. This paper will demonstrate that African-American country music continued to thrive, if not flourish, in the twentieth century. It will also examine how contemporary Black musicians have begun to rescue and redeem their musical heritage from the racist baggage of the past, thereby beginning to break the blackface tradition and legacy.

  • Czech name

  • Czech description

Classification

  • Type

    D - Article in proceedings

  • CEP classification

  • OECD FORD branch

    60204 - General literature studies

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2023

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Article name in the collection

    Breaking Stereotypes in American Popular Culture: Proceedings of the 10th Annual Conference of the Croatian Association for American Studies

  • ISBN

    978-953-379-125-8

  • ISSN

  • e-ISSN

    1849-6180

  • Number of pages

    16

  • Pages from-to

    149-164

  • Publisher name

    Filozofski fakultetSveučilištau Zagrebu–FF Press

  • Place of publication

    Zagreb

  • Event location

    Osijek

  • Event date

    Sep 9, 2022

  • Type of event by nationality

    WRD - Celosvětová akce

  • UT code for WoS article