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Popular music studies behind the Iron Curtain: the constitution of popular music research in East-Central Europe before 1989

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73630074" target="_blank" >RIV/61989592:15210/24:73630074 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.cambridge.org/core/journals/popular-music/article/popular-music-studies-behind-the-iron-curtain-the-constitution-of-popular-music-research-in-eastcentral-europe-before-1989/9263F4DF192000ADD25BAF328CDAB054?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark" target="_blank" >https://www.cambridge.org/core/journals/popular-music/article/popular-music-studies-behind-the-iron-curtain-the-constitution-of-popular-music-research-in-eastcentral-europe-before-1989/9263F4DF192000ADD25BAF328CDAB054?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1017/S0261143024000412" target="_blank" >10.1017/S0261143024000412</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Popular music studies behind the Iron Curtain: the constitution of popular music research in East-Central Europe before 1989

  • Original language description

    The study of popular music in the Soviet-controlled East-Central European region has yet to receivethe attention it merits. The objective of this study was to fill this gap by investigating the genealogy ofpopular music research in East Central Europe prior to 1989. It provides a comprehensive account ofthe evolution of popular music research in socialist East-Central Europe, with a particular focus onCzechoslovakia, Hungary and East Germany. It delineates the challenges encountered by researchersin reconciling their work with the complex cultural and political conditions of the era. Furthermore, itconsiders the influence of Marxist ideology on musicology and sociology, and how this may haveshaped research. It offers new perspectives on the history of popular music studies in this domain,which has been lightly explored until now. It seeks to shed light on the intricate relationshipbetween music, politics and ideology behind the Iron Curtain.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

    <a href="/en/project/GA21-16304S" target="_blank" >GA21-16304S: The development of popular music investigation in the Czech Lands in the context of Central European culture and politics since 1945</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Popular Music

  • ISSN

    0261-1430

  • e-ISSN

    1474-0095

  • Volume of the periodical

    43

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    34

  • Pages from-to

    267-300

  • UT code for WoS article

    001433309100001

  • EID of the result in the Scopus database

    2-s2.0-85218932884