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Principles of the French garden in the Czech garden design

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62156489%3A43510%2F18%3A43914367" target="_blank" >RIV/62156489:43510/18:43914367 - isvavai.cz</a>

  • Result on the web

    <a href="https://doi.org/10.11118/actaun201866051171" target="_blank" >https://doi.org/10.11118/actaun201866051171</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.11118/actaun201866051171" target="_blank" >10.11118/actaun201866051171</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Principles of the French garden in the Czech garden design

  • Original language description

    The French garden of the 17th and 18th century as the ultimate artistic expression of ideas about the world order and the representation of power and knowledge was not limited to its country of origin - its influence spread and appeared all over Europe. The following text focuses on its reflection in the territory of the Czech Republic and follows the ways the main principles of this form of garden design took. Besides the traditionally dominant artistic influence of Italy, the French art was reflected only gradually, and above all, indirectly. Activities of Le Nôtre&apos;s disciples have been proven, but without any more detailed documentation. Moravia was most influenced by Vienna, where the imperial and other aristocratic gardens adopted more ornate, smaller and flatter concept of French forms, rather approaching Rococo. The paper shows, using specific examples and the comparative method, what forms typical of the French garden appear in the gardens of the Czech lands the most frequently. The characteristic organization of the garden and wider spaces by axes, avenues, radial divisions, water mirrors and canals as well as magnificent water elements with sculptures and also widely applied flat parterres with ornamental flower beds is explored. On the other hand, the complexity of the French prototype, which lies in the spatial monumentality and sophisticated use of optical rules and rules of perspective, is missing.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

    <a href="/en/project/DG16P02H053" target="_blank" >DG16P02H053: Czech Garden Art and Lansdcape Architecture in the Context of European Development</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2018

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis

  • ISSN

    1211-8516

  • e-ISSN

  • Volume of the periodical

    66

  • Issue of the periodical within the volume

    5

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    11

  • Pages from-to

    1171-1181

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85056289841