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Agency, affect and intention in art history: some observations.

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F21%3A00604528" target="_blank" >RIV/68378033:_____/21:00604528 - isvavai.cz</a>

  • Result on the web

    <a href="https://arthistoriography.wordpress.com/wp-content/uploads/2021/05/rampley.pdf" target="_blank" >https://arthistoriography.wordpress.com/wp-content/uploads/2021/05/rampley.pdf</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0015" target="_blank" >10.1093/oxfordhb/9780199279456.003.0015</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Agency, affect and intention in art history: some observations.

  • Original language description

    Recent years have seen a notable growth of interest in the operations of affect and agency in art. Works of art are said to have agency, primarily through their impact on the affectivity of the spectator. This turn is an inflection of a wider phenomenon in the humanities, motivated by interest in the theory of affect. Although it has only recently gained visibility, one can trace an art historical interest in affect back to Aby Warburg, whose work emphasised the non-rational, emotional engagement with works of art. This article explores some of the claims that have been made in relation to affect and agency in art, but it also subjects them to critical scrutiny. What does it mean to talk about art having agency? What is its purported significance for art historical inquiry? To what extent does affect theory provide a convincing theoretical basis for the idea of artistic agency? Indeed, what is understood by the idea of agency in such accounts? The article argues that while there are many attested historical cases in which works of art are said to act as if they were agents, these have to be understood in terms of culturally framed attributions of agency, rather than a general theory of affect, which may have a purely tangential significance for art historical analysis.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Journal of Art Historiography

  • ISSN

    2042-4752

  • e-ISSN

    2042-4752

  • Volume of the periodical

    24

  • Issue of the periodical within the volume

    June

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    22

  • Pages from-to

    1-21

  • UT code for WoS article

  • EID of the result in the Scopus database