Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F23%3A00582282" target="_blank" >RIV/68378033:_____/23:00582282 - isvavai.cz</a>
Result on the web
<a href="https://arthistoriography.files.wordpress.com/2023/10/murar.pdf" target="_blank" >https://arthistoriography.files.wordpress.com/2023/10/murar.pdf</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.48352/uobxjah.00004355" target="_blank" >10.48352/uobxjah.00004355</a>

Result language
angličtina
Original language name
Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials
Original language description
The article deals with Franz Wickhoff´s influence on Max Dvořák´s formulation of his late method of art history today widely known as ‘Kunstgeschichte als Geistesgeschichte’. The article proposes a thesis that already in Wickhoff´s thinking an inclination toward the ‘geistesgeschichtliche’ interpretation of art history can be evident, as shown on a comparison between his and Dvořák´s interest in the Italian Renaissance art. The other way of Wickhoff´s influence on Dvořák´s art history is shown as grounded in their deep personal relationship that is documented in their mutual correspondence from the early 20th century, recently rediscovered in the Archive of the Institute of Art History of the Vienna University.
Czech name
—
Czech description
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Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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