“Farewell to the Whole Epoch”. The Zone as the Beginning and End of the Czech Avant-garde

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378068%3A_____%2F20%3A00535613" target="_blank" >RIV/68378068:_____/20:00535613 - isvavai.cz</a>
Result on the web
<a href="https://www.jstor.org/stable/10.2979/jmodelite.43.4.03?seq=1" target="_blank" >https://www.jstor.org/stable/10.2979/jmodelite.43.4.03?seq=1</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.2979/jmodelite.43.4.03" target="_blank" >10.2979/jmodelite.43.4.03</a>

Result language
angličtina
Original language name
“Farewell to the Whole Epoch”. The Zone as the Beginning and End of the Czech Avant-garde
Original language description
Inspired by Apollinaire, members of the Czech avant-garde group Devetsil, established in 1920 under the leadership of Karel Teige, sought to dismantle the thematic composition and structure of their long poems-“zones.” In the 1930s, however, “zone” as a literary genre had a different character. As a reaction to political and cultural events, long poems depicted the alienation of the individual and feelings of anxiety stemming from the conflict between the individual and the world. This changed approach to the modern world is embodied by Mluvici pasmo [Talking Zone], published in 1939 by Czech modernist poet Milada Souckova. While drawing connections across borders, this long poem offers a view of what constitutes Czech epic as modernism came to an end.
Czech name
—
Czech description
—

Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
60206 - Specific literatures

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2020
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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