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The policy of internationalisation of East European film industries : East-west co-productions 2009-2019

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10465533" target="_blank" >RIV/00216208:11210/20:10465533 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Yr4PjBsDXd" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Yr4PjBsDXd</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/2040350X.2020.1800184" target="_blank" >10.1080/2040350X.2020.1800184</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    The policy of internationalisation of East European film industries : East-west co-productions 2009-2019

  • Original language description

    Only ten years ago, producers in Eastern Europe could apply to one-two sources of production financing in their home countries. If they failed to receive financing from these sources, they would close down the project and move to another one. Also, it was impossible to co-produce without securing domestic production financing first, which kept co-producing a privilege of the few auteurs and producers of high national (and transnational) reputation. During the past decade, however, we have witnessed a surge of supranational script labs, training programmes, co-production markets and co-development funds across Europe. They diversified sources of financing for films and led to the emergence of the new class of young East European producers who think internationally already while developing their projects and do not give up on their projects when they face rejections from film funds in home countries. This article will examine the solutions that the policy of internationalization, which targets film projects at the development stage, brought vis-a-vis financial and political challenges that traditionally surround East European cinemas. The analysis will rely on the data I generated while preparing the report on co-productions between Eastern and Western Europe ordered by the co-production market When East Meets West.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

    <a href="/en/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Creativity and Adaptability as Conditions of the Success of Europe in an Interrelated World</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Studies in Eastern European Cinema

  • ISSN

    2040-350X

  • e-ISSN

    2040-3518

  • Volume of the periodical

    12

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    19

  • Pages from-to

    64-82

  • UT code for WoS article

    000709136700001

  • EID of the result in the Scopus database

    2-s2.0-85089187029