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Playing the Poems: Five Faces of Shakespeare’s Sonnets on Czech Stages

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3AECPNMX8N" target="_blank" >RIV/00216208:11320/25:ECPNMX8N - isvavai.cz</a>

  • Result on the web

    <a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85201423516&doi=10.1007%2f978-3-031-09472-9_11&partnerID=40&md5=3e442f3e60a3bf33b293ad90b4f7d972" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85201423516&doi=10.1007%2f978-3-031-09472-9_11&partnerID=40&md5=3e442f3e60a3bf33b293ad90b4f7d972</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1007/978-3-031-09472-9_11" target="_blank" >10.1007/978-3-031-09472-9_11</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Playing the Poems: Five Faces of Shakespeare’s Sonnets on Czech Stages

  • Original language description

    The chapter addresses five post-2000 Czech theatre adaptations of Shakespeare’s Sonnets, addressing the array of creative strategies and approaches to Shakespeare on the part of the respective producers. While all the productions in question touch on the basic tropes of Shakespeare’s Sonnets, such as relationships, sex and sexuality, and gender politics, the ways in which the source material is treated differ markedly. Shakespeare’s cult is both respected and deconstructed; the sonnets are reverently recited, but they are also turned into a vaudeville-like music performance; the image of love in the sonnets is both embraced and problematised. The chapter argues that this variety is possible due to the playwright’s status as an adopted national poet that goes back to the nineteenth century. Shakespeare is largely treated by Czech dramaturgy as a domestic cultural phenomenon that could be celebrated, but also freely appropriated, updated or rejected according to current needs. During their two and a half centuries of living with Shakespeare, Czechs have created an intimate relationship with the playwright, and the fact that even his poetry has entered the cultural mainstream through popular theatre adaptations testifies to his cultural importance to the Czech nation. © The Author(s), under exclusive license to Springer Nature Switzerland AG 2023.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

  • Continuities

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Global Shakespeares

  • ISSN

    29478901

  • e-ISSN

  • Volume of the periodical

    Part F3219

  • Issue of the periodical within the volume

    2024

  • Country of publishing house

    US - UNITED STATES

  • Number of pages

    18

  • Pages from-to

    183 - 200

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85201423516