Stealing the Art of Pain: Body Art and Zhao Yue’s Lattice
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73614962" target="_blank" >RIV/61989592:15210/22:73614962 - isvavai.cz</a>
Result on the web
<a href="http://dx.doi.org/10.4324/9780429325304" target="_blank" >http://dx.doi.org/10.4324/9780429325304</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.4324/9780429325304" target="_blank" >10.4324/9780429325304</a>
Alternative languages
Result language
angličtina
Original language name
Stealing the Art of Pain: Body Art and Zhao Yue’s Lattice
Original language description
This chapter examines the emergence and reception in China of ‘body art’ (shenti yishu or routi yishu) – one of the most extreme and controversial artistic trends of the postsocialist era – as a transcultural phenomenon. This chapter frames ‘body art’ in 1990s-2000s China within the atmosphere of cynicism which prevailed in the years after the events of 1989 and the heightened role of the market in the cultural sphere. The chapter argues that the notion that it behoves the Party-state to protect the bodies and minds of the people from harmful cultural spectacles represents a residue of Mao-era socialism in the postsocialist era. To investigate the reception of ‘body art’ by the Chinese art world, this chapter analyses a performance by woman artist Zhao Yue (b. 1981) entitled Gezi (Lattice, or Grids, 2007) and discusses the debate this work elicited among Chinese art critics. Its analysis reveals body art from China as a cultural trend where postsocialist biopolitics and gendered cultural identities intersect with transcultural flows of artistic experimentation, thus highlighting key tensions that animate the intellectual life of contemporary China.
Czech name
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Czech description
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Classification
Type
C - Chapter in a specialist book
CEP classification
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OECD FORD branch
50901 - Other social sciences
Result continuities
Project
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Continuities
O - Projekt operacniho programu
Others
Publication year
2022
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
China's Avant-Garde, 1978–2018
ISBN
978-0-367-34357-6
Number of pages of the result
18
Pages from-to
157-174
Number of pages of the book
222
Publisher name
Routledge
Place of publication
London
UT code for WoS chapter
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