Arseholes of the Pedestrain Sublime: Forced Entertainment's The Coming Storm after Deleuze & Guattari

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18440%2F16%3A50005201" target="_blank" >RIV/62690094:18440/16:50005201 - isvavai.cz</a>
Result on the web
<a href="http://www.slu.cz/fpf/cz/ustav-cizich-jazyku/publikacni-cinnost/silesian-studies-in-english/Silesian_Studies_in_English_2015.pdf" target="_blank" >http://www.slu.cz/fpf/cz/ustav-cizich-jazyku/publikacni-cinnost/silesian-studies-in-english/Silesian_Studies_in_English_2015.pdf</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Arseholes of the Pedestrain Sublime: Forced Entertainment's The Coming Storm after Deleuze & Guattari
Original language description
The present paper offers the analysis of The Coming Storm, a performance by the renowned contemporary British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. Forced Entertainment’s typical subversive elements of stage-failure, non-linearity and the erasure of the opposition between the real and the fictional are examined via the Deleuzoguattarian notions of rhizome, becoming, and deterritorialization. Such analysis rather than creating dichotomies accentuates the mutual interconnectedness, productivity and flux in the process of theatre-making as well as theatre-witnessing.
Czech name
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Czech description
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Publication year
2016
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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