Restoration of the Madonna and Child painting by Benozzo Gozzoli ? the problems of cradled paintings

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F14%3A%230000721" target="_blank" >RIV/00023281:_____/14:#0000721 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Restoration of the Madonna and Child painting by Benozzo Gozzoli ? the problems of cradled paintings

Popis výsledku v původním jazyce

The restoration intervention was necessitated by the critical state of the painting. In some places the painted layers were loosened, the quality of the original painting and the strong colouring were suppressed by dark varnish and numerous instances ofdarkened retouching. The picture is painted on a wooden support of poplar. The ground of the painting is gypsum. The composition of the picture was first planned with a drawing in chalk and further gone over with an engraved drawing. The technique of thepainting is based on a layered system typical of the given period. In the past the support of the painting was thinned down and cradled. This intervention subsequently caused distortion and defects in the form of cracks in the panel of the painting. Thepresent restoration intervention thus had to focus also on the problems concerning the support of the painting. After removal of the retouching and thinning of the varnish layers the cradling was removed. After this the cracks in the pic

Název v anglickém jazyce

Restoration of the Madonna and Child painting by Benozzo Gozzoli ? the problems of cradled paintings

Popis výsledku anglicky

The restoration intervention was necessitated by the critical state of the painting. In some places the painted layers were loosened, the quality of the original painting and the strong colouring were suppressed by dark varnish and numerous instances ofdarkened retouching. The picture is painted on a wooden support of poplar. The ground of the painting is gypsum. The composition of the picture was first planned with a drawing in chalk and further gone over with an engraved drawing. The technique of thepainting is based on a layered system typical of the given period. In the past the support of the painting was thinned down and cradled. This intervention subsequently caused distortion and defects in the form of cracks in the panel of the painting. Thepresent restoration intervention thus had to focus also on the problems concerning the support of the painting. After removal of the retouching and thinning of the varnish layers the cradling was removed. After this the cracks in the pic

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Bulletin of the National Gallery in Prague

ISSN

0862-8912

e-ISSN

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Svazek periodika

2014

Číslo periodika v rámci svazku

XXIV

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

11

Strana od-do

40-50

Kód UT WoS článku

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EID výsledku v databázi Scopus

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