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The Noblest of the Feathered Family.Three Falcons on a Lacquer Perch

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F16%3AN0000117" target="_blank" >RIV/00023281:_____/16:N0000117 - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    The Noblest of the Feathered Family.Three Falcons on a Lacquer Perch

  • Popis výsledku v původním jazyce

    The National Gallery in Prague houses a very interesting artwork by the late 19th-century Japanese metal caster Sanō Takachika. The modellation of three bronze falcons fixed to a robust perch decorated in lacquer is based on a similar work of art displayed at the World’s Columbian Exposition in Chicago in 1893 and done by another Japanese sculptor, Suzuki Chōkichi, in cooperation with the Japanese art patron Hayashi Tadamasa. The traditional depiction of birds of prey has existed in Japanese art since the early Middle Ages, when a predilection for falconry spread among the military aristocracy and to a lesser extent among other circles. Similar themes were later repeated not only in painting of the Kanō and Tosa schools, but also in the decoration of lacquerware, silk fabrics and ceramics. Hayashi Tadamasa suggested the theme of falcons for Japan’s presentation at the world exhibition in Chicago – it was meant to symbolize the strength and determination of the young Japanese state to join the ranks of the world powers and become a hegemon in the Far East. The very favourable response to the Chicago exhibit led other contemporary artists to employ the same theme. Nonetheless, only Sanō Takachika achieved such a rare level of refinement, due in part to his emphasis on using precious metal alloys for the bodies of the birds of prey and on the execution of the lacquer base, which, unlike Chōkichi’s work, became a major part of the composition and the apotheosis of Japanese lacquerware art.

  • Název v anglickém jazyce

    The Noblest of the Feathered Family.Three Falcons on a Lacquer Perch

  • Popis výsledku anglicky

    The National Gallery in Prague houses a very interesting artwork by the late 19th-century Japanese metal caster Sanō Takachika. The modellation of three bronze falcons fixed to a robust perch decorated in lacquer is based on a similar work of art displayed at the World’s Columbian Exposition in Chicago in 1893 and done by another Japanese sculptor, Suzuki Chōkichi, in cooperation with the Japanese art patron Hayashi Tadamasa. The traditional depiction of birds of prey has existed in Japanese art since the early Middle Ages, when a predilection for falconry spread among the military aristocracy and to a lesser extent among other circles. Similar themes were later repeated not only in painting of the Kanō and Tosa schools, but also in the decoration of lacquerware, silk fabrics and ceramics. Hayashi Tadamasa suggested the theme of falcons for Japan’s presentation at the world exhibition in Chicago – it was meant to symbolize the strength and determination of the young Japanese state to join the ranks of the world powers and become a hegemon in the Far East. The very favourable response to the Chicago exhibit led other contemporary artists to employ the same theme. Nonetheless, only Sanō Takachika achieved such a rare level of refinement, due in part to his emphasis on using precious metal alloys for the bodies of the birds of prey and on the execution of the lacquer base, which, unlike Chōkichi’s work, became a major part of the composition and the apotheosis of Japanese lacquerware art.

Klasifikace

  • Druh

    J<sub>x</sub> - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

  • CEP obor

    AL - Umění, architektura, kulturní dědictví

  • OECD FORD obor

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2016

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Bulletin of the National Gallery in Prague

  • ISSN

    0862-8912

  • e-ISSN

  • Svazek periodika

    XXVI

  • Číslo periodika v rámci svazku

    2016

  • Stát vydavatele periodika

    CZ - Česká republika

  • Počet stran výsledku

    13

  • Strana od-do

    51-63

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus