A multianalytical study of oil binding media and pigments on Bohemian panel painting from the first half of the 14th century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F17%3AN0000002" target="_blank" >RIV/00023281:_____/17:N0000002 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

A multianalytical study of oil binding media and pigments on Bohemian panel painting from the first half of the 14th century

Popis výsledku v původním jazyce

This paper deals with the results of a broad-based survey of both the binding media and the pigments used during the first half of the 14th century on Bohemian panel paintings from the collections of the National Gallery in Prague. The work is focused on the specific use of oil binding media and pigments in the workshop of the Master of the Vyšší Brod Cycle, the most important painter in the period around the 1340s in Bohemia. Extensive laboratory examinations of the micro-samples were executed by means of optical microscopy (OM), scanning electron microscopy with an energy-dispersing detector (SEM/EDS), micro-Raman spectroscopy (MRS), histochemical staining (HS) and gas chromatography/mass spectrometry(GC/MS). The data obtained by the multianalytical approach pointed out that the oil binding medium was used as the principal medium within colour paint layers in the Bohemian panel paintings as earlyas around 1340–1350. This unique identification of oil binding media opens new possibilities for theinterpretation of the painting technique in Central Europe in the 14th century.

Název v anglickém jazyce

A multianalytical study of oil binding media and pigments on Bohemian panel painting from the first half of the 14th century

Popis výsledku anglicky

This paper deals with the results of a broad-based survey of both the binding media and the pigments used during the first half of the 14th century on Bohemian panel paintings from the collections of the National Gallery in Prague. The work is focused on the specific use of oil binding media and pigments in the workshop of the Master of the Vyšší Brod Cycle, the most important painter in the period around the 1340s in Bohemia. Extensive laboratory examinations of the micro-samples were executed by means of optical microscopy (OM), scanning electron microscopy with an energy-dispersing detector (SEM/EDS), micro-Raman spectroscopy (MRS), histochemical staining (HS) and gas chromatography/mass spectrometry(GC/MS). The data obtained by the multianalytical approach pointed out that the oil binding medium was used as the principal medium within colour paint layers in the Bohemian panel paintings as earlyas around 1340–1350. This unique identification of oil binding media opens new possibilities for theinterpretation of the painting technique in Central Europe in the 14th century.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/DF13P01OVV010" target="_blank" >DF13P01OVV010: Historické technologie a moderní metody průzkumu. Interpretační možnosti specializovaných metod průzkumu děl středověkého umění s využitím inovativních technologií.</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Cultural Heritage

ISSN

1296-2074

e-ISSN

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Svazek periodika

Volume 23

Číslo periodika v rámci svazku

January - February 2017

Stát vydavatele periodika

FR - Francouzská republika

Počet stran výsledku

10

Strana od-do

77-86

Kód UT WoS článku

000396399800009

EID výsledku v databázi Scopus

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